John the Murderer (Fleury Dandonaki, 1980)

Fleury Dandonaki

leury Dandonaki was Manos Hadjidakis' favorite singer. She was born in Crete in 1937. She studied philosophy and theater at the University of South Carolina in the late '50s. In New York she made her first steps on the stage of Broadway and critics recognized something different in her wonderful voice, full of sensitivity, and in her large expressive eyes. The «New York Times» declared her talent equal to that of Liza Minnelli's.

In 1970 she meets in New York Manos Hadjidakis as she replaces an actress of the Broadway show "Jacques Brel is Alive and Well and Living in Paris". Manos is astonished by her performance. Fleury becomes his favourite singer and during the '70s they work together in many successful theatre and music projects. In 1980, it was at the insistence of Manos Hadjidakis, who was back then director of ERA's Programme C (radio broadcast) that the recording below took place.

Fleury Dandonaki died on July 18,1998 at the age of 60, after a long struggle with cancer and rests in peace next to her long time friend Manos Hadjidakis in a semetery in Athens.

The song was first released by Columbia in 1976. The name of the album is "Immortality". Music by Manos Hadjidakis and poetry by Nikos Gatsos. It is a masterpiece.

John the murderer [Ο Γιάννης ο Φονιάς]

music: Manos Hadjidakis

lyrics: Nikos Gatsos

vocals: Fleury Dandonaki

John the murderer

-son of a woman from Patras

and of a man from Messolonghi-

last Sunday

right after the prison

passed by our house

We treated him desert

we treated him mint

but the murder

we didn't mention (x2)

Only Phrosi

-shedding sea coloured tears

of her large eyes-

kissed silently

his precious hands

and went out of the hall

No one made it

to bear her pain

and no one from the family

found a word to say

And John the murderer

at the corner of the street

with the longing's thorn
remembered again

moons so distant

and the dream that was gone.

"Is this where we vote?" (Our great circus, 1973)

reece was under a military junta between 1967 and 1974. In June 22, 1973 Tzeni Karezi and Kostas Kazakos started the theater play "To megalo mas tsirko" ("Our great circus") at the downtown Athens theater "Athinaion". Stavros Xarchakos did the music, Iakovos Kampanellis the lyrics, and Nikos Xylouris was the lead singer. The play was a satirical historical flashback of the history of Greece from the Ottoman empire to what was then present time. It quickly became extremely popular, and transformed into an act of political resistance against the dictatorship. People would ask at the register "Is this where we vote?".

It wasn't easy to get through the government's censorship. The play was marketed as a comedy to do so. Here is how the play started:

"One final word, ladies and gentlemen. We told you that our play is a comedy, but it is not a comedy because we say so, or because it was written as such. It is a comedy for a much more serious reason. We declared it as a comedy. We submitted it to the control committee as a comedy, and it was approved as a comedy by state decision number 195. By no means I wish to tell you that you are obligated to laugh by law. I am just noting that every similarity of our comedy to a drama is purely coincidental."

The censorship office soon realized their mistake, detained the producers, and shut down the play. But history had already been made. 500000 people are estimated to have seen the play. In 1974, the music of the play was released as an LP, and in 2003 as a CD. Here is one song of the album.

Our great circus [Το μεγάλο μας τσίρκο]

Music: Stavros Xarchakos

Lyrics: Iakovos Kampanellis

Voices: Nikos Xylouris, Tzeni Karezi, and actors

Great news I bring from up there

give me a moment to catch my breath

and think whether I should laugh,

cry, shout, or be silent.

The kings have fled

and now at the port down by the shore,

the allies are sending them away.

As they manipulated and fixed things

from the outset they dag their own pit

and close up our great protectors,

slowly became the grave-diggers

and who is to pay the bill again

and how can I start over again

at least if I knew why.

What else does my fortune tell me

three schemers are studying it.

Priests and pen pushers will let us know

with drums, parades and celebrations.

Cops are holding the constitution

and the courtiers in the palace

are waiting for something new to turn up.

The foreign bankers have glammed up,

the Greek real estate brokers have shaved.

Seven the interest five the make-up

forty with the oil and the vinegar

and he who believed and had patience

dumb and drugged he stands and stares

at the freedom being auctioned.

People, do not tighten the belt anymore,

don't take hunger for glory any more

Your fights do not count

unless they make up for the blood that has been shed.

People, do not tighten the belt anymore,

hunger for glory is for the quitter,

it is for the the slave and it will bury him.

Sources for this post (in Greek): link 1, link 2, link 3

Source for English translation

Greek lyrics

The Match is About to Start! (Loukianos Kilaidonis, 1979)

ith the excitement for the world cup on its high-up, although Greeks are already home, I remembered that song by Loukianos Kilaidonis that goes back to 1982 (a year before the party) that makes fun in a really nice way of how people get crazy about football. It's strange that even today, 28 years later, some still sing it without understanding its sarcasm. A good quality studio version is followed by a live concert (Lycabettus, 1982) by the architect that worked as such for just a day and then he went to be a sailor long before he ends up as a musician to perform silly American melodies with sophisticated Greek lyrics.

The match is about to start

music, lyrics: Loukianos Kilaidonis

The match is starting

the roads are empty

it is about time

the match to start

The match is starting

the city is deserted

hurry up folks

the match is about to start

Oh, how much I fancy

watching team scarfs all around

watching flags

and scoring goals

Oh, how much puts us together

and how thrilling it is

Diakogiannis'* voice

The match is starting

get off my back now

it is about time

for the match to start

The match is starting

everyone stays still

silence please,

the match is about to start

Oh, how much I fancy

watching team scarfs all around

watching flags

and scoring goals

Oh, how much puts us together

and how thrilling it is

Diakogiannis'* voice

And whoever knows

what are all these about

he should explain to me

only when the match is over.

*Giannis Diakogiannis: Retired Greek Sportcaster (a good one)

Loukianos Kilaidonis has definately been the "Lucky Luke" of Greek music. At least he feels so, ending up another of his songs with the last page famous line to Luke's beloved horse: "Let's go Dolly..."

For Someone Out There is Already Too Late (Mikis Theodorakis & Manos Eleftheriou, 1974)

Manos Eleftheriou

he lack of time won't win again over this magnificent song. Mikis Theodorakis -beign along with Manos Hadjidakis the most important composers of modern Greece- dresses up with music the lyrics of Manos Eleftheriou and Maria Farantouri is there to sing.

What a meeting. One time thing. For more about Mikis Theodorakis and that specific period these songs were written, there is a great article you can read here that describes some things in chronological order in a nice musical point of view.

Who, my life

music: Mikis Theodorakis

lyrics: Manos Eleftheriou

sings: Maria Farantouri

Who, my life, who is hunting it down

to single it out in the middle of the night

squealing & screaming the trucks go by

like a fish they've captured me in the net

For someone out there it's already too late

who, my life, who is hunting it down?

Who, for my life, who is in ambush for it

in this world's narrow alleys who is targeting it

where is the one who knows to speak, who knows how to believe

For someone out there it's already too late

who, my life, who is hunting it down?

Mikis Theodorakis

What is to me the drop (M.Hadjidakis singing Nikos Gatsos, 1972)

Nikos Gatsos

hat does it matter, the drop that shines on your forehead?

I know the thunder wrote its name on your lips
I know an eagle built its eyrie in your eyes
but here on this marshy bank there is one road only
only one treacherous road and you must cross it
you must soak in blood before time catches up with you
and you must cross to the other side to see your companions again
flowers birds deer
to find another sea another kindness...

Poetry by Nikos Gatsos, a part of the epic poem "Amorgos". Amorgos is one of the most beautiful islands in Greece with a strange mysterious landscape that captivates every visitor's mind. I guess this simplicity in sight along with the rich in sentiments land was what inspired Nikos Gatsos to write a huge surreal poem fundamentally mirroring the Greek culture and give it the island's name. Manos Hadjidakis composed music for this and sung it himself in 1972. This recording was only released 3 years ago.

What is to me the drop [Τι να μου κάνει η σταλαγματιά]

poem: Nikos Gatsos

music: Manos Hadjidakis

vocals: Manos Hadjidakis

Little before we announce the Manos Hadjidakis week "over" do remember previous posts with:

1. The stunning composition "When the clouds come", 1965

2. Manos and the New York Rock and Roll Ensemble performing again Nikos Gatsos' Kemal, 1969

"Amorgos" album cover

Everything Reminds Me Of You (Manolis Rasoulis and Manos Loizos, 1979)

anolis Rasoulis wrote the lyrics. Manos Loizos composed the music. Haris Alexiou was the first tο sing this song in 1979. Later on many artists covered it in many ways but the charm and innocence of the first recording can be met in extremely few of these efforts.

Haris Alexiou and Manos Loizos in 1979

Bit of info about Manos Loizos dragged from the wikipedia:

"Manos Loïzos (Μάνος Λοΐζος, also transliterated as Loizos and Loisos) was considered to be one of the most important Greek music composers of the 20th century.

Biography

He was born on 22 October 1937 to Cypriot immigrants in Alexandria, Egypt. His parents came from the small village of Ayious Vavatsinias, in the district of Larnaca, Cyprus. Loizos moved to Athens at the age of 17 intending to study pharmacology but soon gave up his studies in order to concentrate on his musical career. He was a self-taught musician, with no formal musical arts training. His first recordings were made in 1963 but he started gaining a larger audience after 1967. By 1975 Loizos had become one of the most popular artists in Greek music.

He died on 17 September 1982 in a hospital in Moscow, Soviet Union after suffering several strokes. He was well known for his leftist political ideology and was an outspoken critic of the Greek military junta. He was also an active member of the Greek Communist Party.

In 1985, a big concert dedicated to his memory took place in the Athens Olympic Stadium, attended by more than 50,000 people. Manos Loizos' songs and music remain popular until today among all ages of the Greek society."

Manolis Rasoulis. I am not sure whether I can describe that guys life. I will just give you the link to the most "cult" site you might have experienced and... it's your responsibility to go through it! One thing for sure, is that I am not gonna say a single word about Haris Alexiou. Google is your friend (or "kato vitu googlesta" - as you might say... more politely). I am not even uploading here the first recording.

Manolis Rasoulis with his daughter Natalia Rasoulis sing "Everything Reminds Me of You" together. Genial. The translation given below is dragged from stixoi.info.

Everything Reminds Me of You (Όλα σε θυμίζουν / Ola se thymizoun)

lyrics: Manolis Rasoulis (Μανώλης Ρασούλης)

music: Manos Loizos (Μάνος Λοΐζος)

vocals (here): Natalia Rasoulis, Manolis Rasoulis

Everything reminds me of you
Simple, beloved,
everyday things of yours
seem to be waiting along with me
for you to come; even if there was no other sunrise to follow

All our love fills the room
just like a song we used to sing together
Faces and words, and this dream that now is creaking…
What will be true, when the dawn comes?

Everything reminds me of you
Simple, beloved,
everyday things of yours…

Everything reminds me of you
All our closest friends
are now in the tavern, or at the cinema
On my own here, I’m reading the letter you had sent me
Before we kissed for the very first time

All our love fills the room
just like a song we used to sing together
Faces and words, and this dream that now is creaking…
What will be true, when the dawn comes?

Everything reminds me of you
Simple, beloved,
everyday things of yours…

[chords]

An Album Reflecting Three Decades (Dionysis Savvopoulos at "A Little Sea", 1975)

ionysis Savvopoulos (a song of whom has already been presented at the first post of this blog) right after the dictatorship fell in 1974, released an album with several recordings that took place between 1965 and 1975, named "10 Years' Songs". Censorship had officially stopped, so the album could be released. The live concerts that followed in club Kyttaro in Athens are still famous for their energy and influence. One of these songs, named "A Little Sea" is given below. This was not the first recording of the song that initially was played with a guitar, but the one of the 1975 album that piano is leading. A great and quite popular song of 70s. Below the home grown translation, I embed one more video dated a couple of years ago that Dionyssis himself in a TV show is performing this specific song. Enjoy.

A Little Sea

music, lyrics: Dionysis Savvopoulos

A little sea,

a little sea

is what my summer is,

what my love is and my pain.

A little sea

shines in your eyes

every morning

A little sea

it's in your tear, it's in the song,

in every kiss of yours

there is a little sea.

A little sea,

a little sea

and my cup in the corner

for one summer

it was you.

I was singing about you,

like the strings of wind do

on your black hair.

I was following you,

like the tall grass does

the wind.

I was singing you.

A little sea,

a little sea

that told you a bitter goodbye,

is waiting for you.

A little sea.

(Available also in Spanish and Russian)

Babis The "Flou" (Pavlos Sidiropoulos, 1978)

he Prince. That's Pavlos' nickname. The Prince of Greek Rock. A musician-symbol of a whole generation. His life has been widely discussed. His addiction to drugs, his early death. Before introducing the song, a little bit of information dragged from wikipedia which briefly presents his music path (but not his life):

Pavlos Sidiropoulos (Greek: Παύλος Σιδηρόπουλος) (Athens, August 27, 1948 – Athens, 6 December 1990) was a Rock musician, noted for supporting the use of Greek lyrics in rock music, at a time when most Greek rock groups were using English lyrics. During the 1970s and 1980s, he was arguably the most popular Greek rock musician. Despite his early death, he remains one of the most popular rock musicians in Greece.

Sidiropoulos began his career in 1970 in Thessaloniki, where he was studying mathematics. Together with Pantelis Delleyannidis he founded the rock group “Damon and Phidias”. They soon met the influential Greek musician Dionysis Savvopoulos and his group “Bourboulia”. They joined that group and participated in the album “Damis the tough” (Greek: Ντάμης ο σκληρός). They stayed in this group for two years until 1974 when Bourboulia and Sidiropoulos's ways parted. It was through this group that Sidiropoulos first experimented with combining Greek and Rock music.

Afterwards, Sidiropoulos collaborated with the Greek composer Yannis Markopoulos: he sang in his compositions “Oropedio”, “Thessalikos Kiklos” and "Electric Theseus" on lyrics by the poet Dimitris Varos. In 1976, together with Spiropoulos brothers, he founded the music group “Spiridoula”. They created the album "Flou", considered by many the most important album in Greek rock music. A song of that era (“Clown”) later came out in the album “Zorba the Freak”. It was during this period that Sidiropoulos made his two film appearances. He had the leading role in the film “O Asymvivastos”, directed by Andreas Thomopoulos. He also sang all of the songs of the soundtrack, written mostly by Thomopoulos, from which the greatest rock hit of Greece, 'Na m' Agapas' was later sang by the forthcoming generations. At the same time, he starred (together with Dimitris Poulikakos) in another movie by Thomopoulos, “Aldevaran”. Sidiropoulos also made one appearance on TV in a series called “Oikogeneia Zarnti”, directed by Kostas Ferris.

In 1980, Sidiropoulos joined the band “Oi Aprosarmostoi”, where he remained until his death. This was arguably his most successful collaboration with a band. They released several albums and made numerous live performances. In 1982, the album “En Leyko” was published. Unfortunately, many of the songs were censored. In 1985, the notable LP “Zorba the Freak” was released, and in 1989 they released “Without Make-up” (in Greek), which was recorded live at Metro club in Athens.

In the summer of 1990, his right hand started getting paralyzed, as a result of his long term drug use that he was trying to overcome for many years. He continued his live performances but the deterioration of his health had serious psychological implications. On December 6, 1990 he died from heart attack, caused by heroin overdose.

In 1991, his band “Oi Aprosarmostoi” released the album “Ante... ke Kali Tichi Maghes”, named after one of his songs (realised in 1985), the title of which can be interpreted as “So long folks”. Some of the songs were sung by Sidiropoulos in earlier recordings; others by various artists. In 1992, the album “The Blues of the Prince” (in Greek) was released. It contained experimental recordings from 1979 to 1981. In this disc, Sidiropoulos combined the blues with what can be considered as its Greek equivalent, rebetiko. In 1994, the album “En Archi In o Logos” came out; it contained recordings from the years 1978-1989 and fragments of an interview of his on the Greek channel ET2. In 2001, the EP "Day after Day" came out; composed by the rocker's friend, Michael Karras, the songs were recorded in 1973 with Sidiropoulos, the band "Bourboulia" and bouzouki player Thanassis Polykandriotis. After Sidiropoulos's death, Karras discovered the lost recording and orchestrated the release of "Day after Day" through Minos-EMI in 2001.

So, there we are. In 1978. The band name is Spiridoula and the so called "most important" album is Flou. Flou (pronounced like the english "flu") is a slang adjective in Greek, possibly dragged from the English verb flow (well, that's how I get it). It means blurry/ uncertain/ not set/ unorganised/ liquid. Babis is such a guy. With some sort of freedom that we envy. The song portraits that man. Masterpiece.

Babis the Flou [Μπάμπης ο Φλου]

Pavlos Sidiropoulos [Παύλος Σιδηρόπουλος]

I am gonna tell you a story
For a guy named Babis, Babis the flou
When you were asking him “what’s going on?”
He would just say “flou my friend, everything is flou”

Always drunk and jobless
nice guy, Babis the flou
mumbling always alone
just saying “flou my friend, everything is flou”

Babis was teasing anyone
Without a second thought
And if he‘d feel a little bored
He would just find a sunny place to lay

Babis was teasing always brunnets
Nice guy, Babis the flou
Pecking also a bit of blondes
What a nice guy, Babis the flou

And when he was dragged to the police
He was playing dead, Babis the flou
And if they were asking too much
He was just saying “Flou my friends, everything is flou”

Babis was teasing anyone
Without a second thought
And if he‘d feel a little bored
He would just find a sunny place to lay.*

Dimosthenous Lexis (Dionysis Savvopoulos, 1970)

eventies. In Greece the political situation is unstable with a military junta already since 1967 in power. Strict sencorship and propaganda, powerful spying of any suspect of being against the junta. It lasted till 1973, 4 days after Turkey's invasion of Northern Cyprus. During these 7 years, music was a way to react and help the masses realize. Dionysis Savvopoulos, born in Thessaloniki in 1944, was imprisoned in 1967 by junta because of his political convictions. This song ("Δημοσθένους λέξις" = "Demosthenes' word") was recorded in 1970 for the album "Vromiko Psomi" (= Dirty Bread) and an amateur translation of the lyrics is given below the video. All video scenes are taken at the city center of Athens.

Dimosthenous Lexis [«Δημοσθένους Λέξις»]

Dionysis Savvopoulos [Διονύσης Σαββόπουλος]

What if I am free, out of this prison
Nobody will be waiting for me
Deserted all the streets will be
and my city a complete stranger

All the cafes will be closed
while all my friends will have fled
And I ‘ll just blow with the wind
The day I am free, out of this prison

And the sun will fall asleep
Behind the ruins of Olynthos
And they will be like in a myth
All friends and enemies

They will all stand still
Rhetors and conmen
Beggers, prostitutes and prophets
They will all stand still

I am gonna stand by the gate
Carrying the blankets under my arm
And with a slow move of the head
I am gonna greet the guard

Without will, without a god
Like a king in ancient drama
I am gonna say the word
When I stand by the gate.